Saturday, February 20
Essays in Film By Michael Maglaras and Terri Templeton
|David Berona, Michael Maglaras and Robert Dance|
The Sacramento Bee called Michael Maglaras a film maker of “Bergman-like gravitas.” His films have been described as “virtuoso filmmaking” (National Gallery of Art) “alive and fresh” (Art New England) “elegiac and insightful” (Naples Daily News) and “unforgettable” (Journal of American History). David Berona, author of “Wordless Books” has said of “O Brother Man” --“This film is stunning” and Judith Regan of Sirius XM called it “magnificent.” A recent review in The Dartmouth said of “The Great Confusion” that “Michael Maglaras...brought the drama of the original show back to life.” Mike Holtzclaw said in the Daily Press, "For anyone who enjoys art, this is an eye opening film." Scott Whipple of the New Britain Herald wrote "Maglaras and Templeton's work is comparable to that of the widely acclaimed Ken Burns."
217 Films is an independent film company devoted to the American artistic experience. In 2005, Michael Maglaras and Terri Templeton released their first film “Cleophas and His Own” about the American painter Marsden Hartley's epic narrative of love and loss. Maglaras both directed and played the role of Hartley in this film. In 2008, they released a second film about Hartley called “Visible Silence: Marsden Hartley, Painter and Poet” – the first-ever documentary on the life of Hartley. In 2010, with their film “John Marin: Let the Paint be Paint!” they established, through the first full-length documentary on this important painter, that John Marin was one of the fathers of American Modernism. These films, among other distinctions, have been shown to acclaim at the National Gallery of Art in Washington, D.C.
In 2012, they released “O Brother Man: The Art and Life of Lynd Ward.” “The Great Confusion: The 1913 Armory Show” was released in September 2013. Their sixth film “Enough to Live On: The Arts of the WPA” was released in May 2015 and is currently on tour.